斯特凡·格罗内尔，现任波恩艺术博物馆策展人，并在波恩大学教授艺术史。他写过许多关于古典、现代和当代艺术的书籍，并定期讲授20世纪和21世纪的摄影艺术。目前已出版《西格马尔·波尔克》（Sigmar Polke，2019年）、《杰夫·沃尔》（Jeff Wall，2016年）、《格哈特·里希特》（Gerhard Richter，2006年）等著作，均广受好评，且在欧洲的艺术与摄影领域极具影响力。

In this compelling work, Ariella Azoulay reconsiders the political and ethical status of photography. Describing what she calls "the civil contract of photography," she gives an account of the power relations that sustain and make possible photographic meanings. Azoulay argues that anyone--even a stateless person--who addresses others through photographs or is addressed by phot...(展开全部)

A collection of photographs from winners of the Wildlife Photographer of the Year competition. The Wildlife Photographer of the Year competition comes from two venerable institutions of the United Kingdom: the Natural History Museum and BBC Worldwide. For 49 years, this prestigious exhibition has drawn submissions from around the world. Being shortlisted is something to which n...(展开全部)

In this compelling work, Ariella Azoulay reconsiders the political and ethical status of photography. Describing what she calls "the civil contract of photography," she gives an account of the power relations that sustain and make possible photographic meanings. Azoulay argues that anyone--even a stateless person--who addresses others through photographs or is addressed by phot...(展开全部)

From the beginning, abstraction has been intrinsic to photography, and its persistent popularity reveals much about the medium. The Edge of Vision: The Rise of Abstraction in Photography is the first book in English to document this phenomenon and to put it into historical context, while also examining the diverse approaches thriving within contemporary photography. Author Lyle...(展开全部)

In this remarkable contribution to photographic criticism and psychoanalytic literature, Ulrich Baer traces the hitherto overlooked connection between the experience of trauma and the photographic image. Instead of treating trauma as a photographic "theme," Baer examines the striking parallel between those moments arrested mechanically by photography and those arrested experien...(展开全部)

格里·巴杰是一位摄影师、建筑师、博物馆长兼评论家。他为摄影出版社撰写了大量书籍。包括最近的新作《收藏摄影》《写真集：历史卷》(和马丁·帕尔合著)第一、第二册，和他为约翰·戈西奇的摄影作品《柏林墙时期的柏林》所写的专论。由他策划的展览有：1981至1982年大不列颠艺术委员会巡回展“摄影师兼做印相人：摄影印相140年展”；1989年在巴比肯艺术画廊展出的“镜中所见：1949至1985年大不列颠的摄影艺术”。他还于2010年在巴黎为“玛格南图片社60周年纪念”共同策展。他自己的摄影作品，已被收进2004年英国伦敦泰特美术馆的《英国艺术花园》之中。

This book teaches functional programming through creative applications in music and sound synthesis. Readers will learn the Haskell programming language and explore numerous ways to create music and design virtual instruments with concise, elegant code.

近百年来，年鉴学派引起了争议：它的拥趸们革新了历史研究，扩展了经济、社会和文明史学术研究允许的主题数量，推翻了19世纪历史学家的做法，显然支持一种原创的、跨学科的方法。 年鉴学派的反对者坚称这是年鉴历史学家流传的故事的一部分。从反对者的角度审视年鉴，一个完全不同的画面浮现出来，其中一系列跨越边界的学者的攻击和妥协使得年代学派关于研究过去的建议受到了偏转。由于文化、教育、意识形态和宗教承诺以及现代政治文化在年鉴和他们的反对者之间的辩论中的相互联系，该分析采用广角镜头，以提出人类历史研究的新视野。